Showing posts with label review. Show all posts
Showing posts with label review. Show all posts

Monday, 28 January 2013

Cloudy Bay Riesling 2007

Riesling. I'm not really a fan if I'm honest. I tend to find the petrol/oil smells overpowering and the fruit a touch too sickly, but I'm never one to write off a grape just because I don't tend to like it. Everything has its time and place, it's just that I can't seem to find the time to place Riesling...

I tasted Cloudy Bay's 2007 Riesling out of an enomatic machine at Majestic and thought that it was rather good, so on a whim I bought a few different bottles and decided to give them a go. Whilst 2 of the bottles confirmed my opinions by ticking the 'over sweet' box a touch too often, Cloudy Bay (and another Kiwi wine, Main Divide) was remarkably tasty, although at a price of £20-25 a bottle, one might expect it to beat the socks of the £9 standard Rieslings...

Nose: Rubber tyres, with an almost peaty undertone that really assaults the nostrils. Oily and nose-coating with a somewhat unappealing hint of what I could only describe as 'sweat'. A touch of dried apricot underneath. Not exactly appealing, but I suppose that's Riesling for you.

Palate: Light, sweet and peachy. Very nice indeed. Honey, canteloupe melon, lemon and something that tasted a bit like lavender. Certainly sugary, but not overpoweringly so. It's rather nicely balanced, too. It began to lose the over-sweetness in time and evolved into a more rounded taste, with a good balance of savoury and sweet. Hints of citrus come through with more tropical fruit.

Body: Smooth and pleasantly mouth-filling.

Finish: Short, dissipating quickly and leaving little or not aftertaste. No development noted.

Conclusion: Perhaps I do have time for Riesling after all? This was quite a pleasant experience, especially after tasting 2 other cloying sugar bombs. The fact that it lost its oversweet edge over time was a huge bonus and meant that I was able to drink more than 1 glass of it. It improved greatly over time in the glass, but the nose remained a negative for me, although it is by no means any different from most Riesling noses, so don't let that put you off it you're a Riesling fan.

Points: Hm. As it got me over my intrinsic dislike for Riesling I'm encouraged to give it extra points, but then that will inflate it above wines that I regard as better. As a result, 86-88 seems to be a fair range. Not bad at all.

Sunday, 27 January 2013

Highland Park 12 Year Old Whisky

Time for a brief hiatus from wine. Having written some fairly lengthy posts about wine, it's time for a brief chat about whisky, inspired by re-reading and writing up my notes about Ataraxia Chardonnay 2009.

Funnily enough, Highland Park 12 was my first ever review of an alcoholic drink. I did it on the thoroughly excellent www.connosr.com, which is a real haven for whisky drinkers and reviewers and well worth a visit. 

As this was my first review, structure is a little haywire, but here it is: 

This is a gorgeous malt - it's a perfectly balanced study in the whisky-producing regions of Scotland. Whilst I seem to have found the nose rather lighter than my fellow reviewers, this whisky is absolutely bursting with flavour!
From the moment I sipped it there was a blast of honey rushing through my mouth with a perfect little dash of firey peat coming through afterwards to 'crisp off' the taste. As it moves on there's a touch of salt creeping in - I'm instantly reminded of the heather-covered hills of the Shetlands and the ever-present menace of the high seas. Wow. Whisky-inspired nostalgia!
Others have criticised the finish as brief: I must have had a fantastic bottle as my experience is completely the opposite. The distinctive honey-salt taste lingers at the back of my mouth for some time and fades gently away in a perfectly charming way.
HP12 is, to me, like a masterful piece of furniture - everything has smooth, rounded edges and the flavours are perfectly balanced and married together with consummate style. There's a feeling of 'shininess' that's present from the very first sniff and sip. The honey-salt-peat combination is absolutely perfect. I've been looking for a premium(ish) bottle to buy and if HP 12 is this good, the 18 is coming up next!
I always read these reviews before buying a bottle to see if I think it'll suit my palate, so I thought I'd quickly list a couple of other bottles I'd associate this with. In short, I'd put it as a mix between Bowmore Legend (incidentally I prefer Legend to 12) and Dalwhinnie 15. It's like the best of both worlds. Glorious! 
Points: A slightly inflated 90, due to the excellent pricing of the whisky (£24-30).

  • Nose: 20
  • Taste: 23
  • Finish: 22
  • Balance: 25

Glenelly Lady May 2008


Hello all, after a brief hiatus due to various work commitments, we're back to South Africa for this post. Glenelly is a South African vineyard with a rather intriguing 'twist'. It's owned by none other than Madame de Lencquesaing, the former owner of the exceptional 'super second' Chateau Pichon Longueville Comtesse de Lalande, who feels South Africa's soils, grapes and climate provide a perfect canvas for Bordeaux-style winemaking. If you have read one or two of my other posts, you'll know it's clear that I also subscribe to this opinion!

As Madame de Lencquesaing's first name is May, the name of this wine provides us with a fairly strong clue as to what to expect. A Bordelais statement in a New terroir, so certainly something different from the usual meaty smokiness that I love so much in South African Cabernet Sauvignon blends. If I remember correctly from the back of the bottle (now in the recycling somewhere in climes unknown), the statue on the front of the bottle is a very young version of Lady May herself! So, onto the wine - decanted for 2 hours and tasted again after 4.

Colour: I felt the need to include a colour section for this wine in particular (as I haven't bothered doing it for other wines so far) because it really is quite extraordinary. I removed the cork and there was almost no colour to it - a rather pale pink that I would associate with Burgundy rather than a heavy Cab Sauv - so I was extremely surprised when I poured out an almost black wine. It is incredibly deep and almost entirely opaque. Quite intriguing that it stained the cork so little. If someone knows how/why this is I would appreciate a comment about it!


Nose: Whoomph. There is an almost overpowering aroma of coffee. There is a hint of hay and barnyard aromas - a slight sourness that perhaps leads into some intensely dark chocolate. Fruit is not overly evident and was not overly evident on later tasting. This, I believe, is where the fact that the wine is so young has had its effect. That's not to say that the nose is closed, as it is certainly not, it is simply that it is currently slightly unbalanced and I look forward to seeing the effect of some time on the bottle (although 10 years may be too long to wait!). There's some real heat in this nose - reminiscent of chilli chocolate (Montezuma Chocolate make it and it's quite intriguing!). In sum: Coffee, hay, dark dark chocolate and some chilli and heat at the end.


Palate: At the first taste I noted massive coffee backed by 'solid' fruit - the fruit, however, was tight and restrained. This, I am sure, is the emphasis of Lady May's Bordelais heritage and a conscious move away from South African style to a more Old World effort. The bitterness of the coffee and dark chocolate definitely comes through near the end, but there isn't harshness to it, so it's not a negative point. On the later tasting (4 hours decanted) I got blackcurrant coming to the fore with the coffee moving to a supporting role (but a rather loud supporting role!). After 5 hours the coffee began to calm down a little, encouraging me to keep trying it.

Body: The body is extremely full and this is definitely a heavy Lady. The tannins are enormous and it's clear from the first smell that this wine has been made with the intention of a long cellaring.

Finish: As above, fading away into more savoury aromas. A hint of leather coming through (perhaps the evolved version of the slightly sour hay and barnyard aromas in the nose?), coffee and a touch of blackcurrant, but it's elusive. 

Conclusion: It must be remembered that this is a VERY young wine and intended to be cellared for a good few years before drinking, so this review will most certainly be coloured by the fact that I am drinking this young. As a result, I find it extremely hard to give it a rating as I don't think it will be a fair analysis. I found this wine extremely interesting, but was it really a wine I would drink? I think that it's only fair to wait for at least another 2 years before drinking and ideally 5 or 10. Given all of the expertise that has gone into it, it's certainly an accomplished wine and it is certainly making a statement. I had a heated debate with a reviewer who referred to this as 'typically South African' that divided the room, but I stand by my view that this is a Bordelais wine residing in a South African terroir. 

Points: Anything from 85-91. 
I would love to hear if anyone else has tried this and what their feelings were! Next time I will do an overnight decant and see what it's like in the morning.

Saturday, 12 January 2013

Jean-Louis Chavy Puligny-Montrachet 2010

Puligny-Montrachet is one of the most interesting and exciting of the Burgundian white wine regions, often clocking in with enormous price tags and subtlety, minerality and class to match them. This was my nod to 'classic' Chardonnay in my tasting set and while not at the sort of price point that is really needed to express the region, at £25 it was by no means a budget bottle of wine.

Montrachet is located in the Côte de Beaune subregion of Burgundy, just south of the incredibly famous town of Meursault (N.B. if you want to try Meursault, please resist the chance to buy a £15 bottle. It is one of those wines that you have to pay more for, sadly, but is often worth the extra pennies). If you get the chance it is a particularly nice part of the world to visit - Beaune containing some of Burgundy's most famous vinyards along with some exceptionally pretty towns.

Anyway, on to the wine. Tasted blind on the same evening as the Eikendal (and others), this was the most expensive wine of the evening (not that we knew as they were all wrapped!).

Nose: This can be said to characterise Burgundian Chardonnay - it was fresh, citrussy and acidic, but with an almost buttery balance to it. This was the first clue about the oak in this wine, which slightly damped the minerality but (in my view) gave the wine an interesting extra dimension. 

Palate: As with the Eikendal this was perhaps a touch sugary but in time it improved greatly. Citrus came through and the palate began to 'fill out' with more flavours, including light vanilla from the oak. There is certainly minerality here and the fruit is in pleasant harmony with the other flavours.

Finish: The finish was perhaps a touch compact, but I have nothing negative to say about it. The wine simply faded away pleasantly and left no bitter after-taste or lingering acidity. It led easily into the next glass!

Conclusion: A very pleasant wine in terms of its harmony, but was it really worth £25? The oak played a part in making the balance of the wine, but as one of my co-tasters commented, it made it somewhat difficult to separate it from a fairly ordinary New World oaked Chardonnay. While I had failed to follow my own advice (steer clear of 'cheap' white Burgundy), I thought that this would be worth a go considering other positive reviews from elsewhere. As far as I'm concerned it was a wine that I would very much like to drink with friends over dinner, but £25 could be put to much better use elsewhere - even the traditionally heavily overpriced American wines did better (Au Bon Climat - to be reviewed shortly).

Points: It's hard to rate this one considering my knowledge of the price. When I tasted it blind I gave it a 7/10 - which I suppose equates to somewhere around 87 on the 100-point scale. Pleasant, but don't get too excited. 

Thursday, 10 January 2013

Saint Clair Pioneer Block 3


Hello all and sundry. While this is my first entry on my first blog, I am glad to say that this is not the first time I've had the privilege of trying Saint Clair's fantastic Pioneer Block 3 sauvignon blanc.

Since I started organising wine tastings (although to give them such a formal name belies the casual and amateur approach we have!), one vineyard and one wine in particular has caught everyone's attention: Saint Clair. Saint Clair Pioneer Block 3 (SC PB 3, for short) is a magnificent expression of the excitement of New World wine. It captures the new, modern approaches to wine-making alongside the sense of excitement and freshness increasingly associated with the New World, especially New Zealand.


Nose: Zing! Straight away there’s a great deal of passionfruit, citrus – lime and perhaps some mandarin?, gooseberry and redcurrant. Make no mistake, this is Kiwi SB at its most zesty. While this is most certainly not for the faint-hearted or those that love the subtle minerality of a Sancerre, my goodness does it have character, taste and accessibility in spades!


Palate: The palate follows mostly from the above. The wine tasting group was interestingly somewhat divided on their opinions. All agreed that it was a great wine for a tasting, purely because of the ‘shock’ factor it carries, but is it perhaps too bold for some? It was described as ‘magnificent’, ‘wow’ and ‘extraordinarily intense’, but others were less effusive in their praise, teasingly describing it as ‘unsubtle’ and ‘up front’.


Conclusion: While the lack of subtlety may be a deal-breaker for some, I believe it is SC PB 3’s key asset. Each glass packs some serious punch and it develops nicely in the glass, somehow growing more intense, but never cloying, oversweet or unpleasantly acidic. To me, it is a real mark of Saint Clair’s quality that they have produced such an intense wine with none of the negatives usually associated with New Zealand SB.
While I have matched this with an excellent crab linguine before, one guest suggested it was perhaps too intense. In future I will try it with a heavy creamy pasta. Images will follow at some point!

I usually rate out of 10 – this got 7.5+ and moved to 8.5 after an hour in the glass. If I had to rate out of 100, I would suggest 90+. It costs anything from £14-18.


Image courtesy of Saint Clair Wines.