Karasi Zorah, Areni Noir 2010

Time for something a little more exotic and off the beaten path. Karasi Zorah is an Armenian wine grown a 1,400m altitude and is comprised of a grape called Areni Noir - which I am told is the signature grape variety of Armenia. Karasi Zorah has been well-reviewed by some top names in wine: Jancis Robinson gave it 17 and memorably described it as having 'gypsy' flavours - meaning it in a positive sense, suggesting an 'untamed' and wild edge. With such a review, I had to give it a go. On a side note, the bottle is also very pretty: made in a classic style with a wider shoulder than base, the label has raised colouring and the design is a nice touch of traditional Armenian art (although the wine itself was made by an Italian - Alberto Antonini).

Tried alongside several other wines from non-mainstream producers (but by no means non-traditional, as Armenia has been making wine for thousands of years), Zorah was a strong contender. Aged in oak and made in traditional amphorae, it certainly has character galore!

Nose: On first sniff it smelt almost exactly like a Cuban cigar, with notes of smoke and hay backed with a lovely heady mix of raisins, spice and coffee. A hint of pepper comes through at the back and complements the coffee nicely. There's a very distinct structure and on first impression it is extremely well-made.

Palate: How odd! I found it to be very similar to actually smoking a cigar with all the hay, smoke and spice that entails. The savoury tastes are backed with nice ripe fruit although there's a slight sharpness at times. Impressive pepper and coffee. In time, it became sweeter at the front end of things - perhaps a hint of blood orange - and heavier and more sour at the back, with the coffee coming to dominate.

Body: Quite a full taste, but strangely a relatively thin body. Perhaps I didn't give it enough time, but the body doesn't feel quite balanced. Definitely something a little strange about it.

Finish: Medium length with a nice little development. There's a bit of orange zest in the finish - with the bitterness associated with eating some peel.

Conclusion: A really rather interesting and fun wine. The bottle is very distinctive and, depending on your style, it's either a fun design point or an unnecessarily heavy gimmick. At £20 a bottle it's not exactly a cheap wine, but then it does come up with the goods in many areas. The imbalance in the body may have been from my bottle, so it will certainly be one that I re-taste (when I can find another supplier in the UK, as it's rather hard to get hold of). I thoroughly enjoyed the smokiness and spiciness which also seems characteristic of Armenia in its wildness and makes one think of mountain scenes in small villages (the vineyard is near Mt Ararat - where Noah's Ark finished its journey).

Points: 88-89. The slight weirdness with the body has removed a point or two from this, but I would have no hesitation in recommending this to someone who is interested in wine and would like to try something different.

Glenelly Lady May 2008

Hello all, after a brief hiatus due to various work commitments, we're back to South Africa for this post. Glenelly is a South African vineyard with a rather intriguing 'twist'. It's owned by none other than Madame de Lencquesaing, the former owner of the exceptional 'super second' Chateau Pichon Longueville Comtesse de Lalande, who feels South Africa's soils, grapes and climate provide a perfect canvas for Bordeaux-style winemaking. If you have read one or two of my other posts, you'll know it's clear that I also subscribe to this opinion!

As Madame de Lencquesaing's first name is May, the name of this wine provides us with a fairly strong clue as to what to expect. A Bordelais statement in a New terroir, so certainly something different from the usual meaty smokiness that I love so much in South African Cabernet Sauvignon blends. If I remember correctly from the back of the bottle (now in the recycling somewhere in climes unknown), the statue on the front of the bottle is a very young version of Lady May herself! So, onto the wine - decanted for 2 hours and tasted again after 4.

Colour: I felt the need to include a colour section for this wine in particular (as I haven't bothered doing it for other wines so far) because it really is quite extraordinary. I removed the cork and there was almost no colour to it - a rather pale pink that I would associate with Burgundy rather than a heavy Cab Sauv - so I was extremely surprised when I poured out an almost black wine. It is incredibly deep and almost entirely opaque. Quite intriguing that it stained the cork so little. If someone knows how/why this is I would appreciate a comment about it!

Nose: Whoomph. There is an almost overpowering aroma of coffee. There is a hint of hay and barnyard aromas - a slight sourness that perhaps leads into some intensely dark chocolate. Fruit is not overly evident and was not overly evident on later tasting. This, I believe, is where the fact that the wine is so young has had its effect. That's not to say that the nose is closed, as it is certainly not, it is simply that it is currently slightly unbalanced and I look forward to seeing the effect of some time on the bottle (although 10 years may be too long to wait!). There's some real heat in this nose - reminiscent of chilli chocolate (Montezuma Chocolate make it and it's quite intriguing!). In sum: Coffee, hay, dark dark chocolate and some chilli and heat at the end.

Palate: At the first taste I noted massive coffee backed by 'solid' fruit - the fruit, however, was tight and restrained. This, I am sure, is the emphasis of Lady May's Bordelais heritage and a conscious move away from South African style to a more Old World effort. The bitterness of the coffee and dark chocolate definitely comes through near the end, but there isn't harshness to it, so it's not a negative point. On the later tasting (4 hours decanted) I got blackcurrant coming to the fore with the coffee moving to a supporting role (but a rather loud supporting role!). After 5 hours the coffee began to calm down a little, encouraging me to keep trying it.

Body: The body is extremely full and this is definitely a heavy Lady. The tannins are enormous and it's clear from the first smell that this wine has been made with the intention of a long cellaring.

Finish: As above, fading away into more savoury aromas. A hint of leather coming through (perhaps the evolved version of the slightly sour hay and barnyard aromas in the nose?), coffee and a touch of blackcurrant, but it's elusive. 

Conclusion: It must be remembered that this is a VERY young wine and intended to be cellared for a good few years before drinking, so this review will most certainly be coloured by the fact that I am drinking this young. As a result, I find it extremely hard to give it a rating as I don't think it will be a fair analysis. I found this wine extremely interesting, but was it really a wine I would drink? I think that it's only fair to wait for at least another 2 years before drinking and ideally 5 or 10. Given all of the expertise that has gone into it, it's certainly an accomplished wine and it is certainly making a statement. I had a heated debate with a reviewer who referred to this as 'typically South African' that divided the room, but I stand by my view that this is a Bordelais wine residing in a South African terroir. 

Points: Anything from 85-91. 
I would love to hear if anyone else has tried this and what their feelings were! Next time I will do an overnight decant and see what it's like in the morning.