Jean-Louis Chavy Puligny-Montrachet 2010

Puligny-Montrachet is one of the most interesting and exciting of the Burgundian white wine regions, often clocking in with enormous price tags and subtlety, minerality and class to match them. This was my nod to 'classic' Chardonnay in my tasting set and while not at the sort of price point that is really needed to express the region, at £25 it was by no means a budget bottle of wine.

Montrachet is located in the Côte de Beaune subregion of Burgundy, just south of the incredibly famous town of Meursault (N.B. if you want to try Meursault, please resist the chance to buy a £15 bottle. It is one of those wines that you have to pay more for, sadly, but is often worth the extra pennies). If you get the chance it is a particularly nice part of the world to visit - Beaune containing some of Burgundy's most famous vinyards along with some exceptionally pretty towns.

Anyway, on to the wine. Tasted blind on the same evening as the Eikendal (and others), this was the most expensive wine of the evening (not that we knew as they were all wrapped!).

Nose: This can be said to characterise Burgundian Chardonnay - it was fresh, citrussy and acidic, but with an almost buttery balance to it. This was the first clue about the oak in this wine, which slightly damped the minerality but (in my view) gave the wine an interesting extra dimension. 

Palate: As with the Eikendal this was perhaps a touch sugary but in time it improved greatly. Citrus came through and the palate began to 'fill out' with more flavours, including light vanilla from the oak. There is certainly minerality here and the fruit is in pleasant harmony with the other flavours.

Finish: The finish was perhaps a touch compact, but I have nothing negative to say about it. The wine simply faded away pleasantly and left no bitter after-taste or lingering acidity. It led easily into the next glass!

Conclusion: A very pleasant wine in terms of its harmony, but was it really worth £25? The oak played a part in making the balance of the wine, but as one of my co-tasters commented, it made it somewhat difficult to separate it from a fairly ordinary New World oaked Chardonnay. While I had failed to follow my own advice (steer clear of 'cheap' white Burgundy), I thought that this would be worth a go considering other positive reviews from elsewhere. As far as I'm concerned it was a wine that I would very much like to drink with friends over dinner, but £25 could be put to much better use elsewhere - even the traditionally heavily overpriced American wines did better (Au Bon Climat - to be reviewed shortly).

Points: It's hard to rate this one considering my knowledge of the price. When I tasted it blind I gave it a 7/10 - which I suppose equates to somewhere around 87 on the 100-point scale. Pleasant, but don't get too excited. 

Eikendal Chardonnay 2010/11

I have recently decided that Chardonnay is a much-maligned grape and so have attempted to taste a broad range of Chardonnays from both the Old and New World. The latest in this set of tasting (the others will be posted at some point), was the South African Eikendal 2010/11, which cost around £12.

Eikendal Chardonnay is Eikendal's flagship white wine, according to their website, and is oaked for 7 months before bottling, so I was expecting a certain amount of intensity, although not so much as one might expect from an Aussie oak-monster of a Chardonnay. My thoughts at the time of tasting are as follows:

Nose: Surprisingly, given the oak, this was a light-smelling Chardonnay than many others I have tried. It was grassy and perhaps a little minerally with distinct notes of green apple and lemon coming through. After some time a hint of toasty oak began to emerge. The citrus was, however, the clearest of the identifiable aromas.

Palate: My first impression was 'smoky sweet'. It was pleasantly tasty with a decent level of stone fruit (peach, perhaps some apricot) with a little dollop of honey coming in at the back. After a few sips, however, it began to taste a little light and overly sugary. Perhaps even insipid. My standard tasting measure is around 50-75mls, so for a wine to become cloying after such a short period (admittedly without food) is not an entirely positive sign.

Body: The body remained remarkably light for an oaked Chardonnay throughout and altogether not what I was expecting. Perhaps there was too much focus on attempting to achieve a Burgundian minerality when making this wine and less was thought about how this would affect the wine's structure.

Finish: Longer that I would have thought given the lack of body and pleasant. More citrus, especially lemon, with a slightly grassy tang.

Conclusion: Clearly an ambitious attempt to make a Burgundian-style wine in South Africa, but did it really work? Well, it was a perfectly nice wine to begin with and showed some potential for development, but the slightly sugary taste meant that I was unable to say with certainty whether or not I liked it. I feel that with some well-chosen food matched with it (grilled fish or any white meat) or perhaps another year or so in the cellar this could have been a thoroughly decent wine.

Points: 84. Pleasant enough but there wasn't quite enough depth to make me want to drink this again. The citrus made me feel that this was in fact a Sauvignon Blanc in disguise.

Kanonkop Paul Sauer 2009

As I have tantalisingly put Kanonkop's Paul Sauer 2009 as my current favourite wine, I feel it is only just that I should put up a review to accompany it. Kanonkop (meaning Canon's Hill - from which a warning shot that was fired to alert farmers to the arrival of traders at Cape Town) is regarded as one of South Africa's top wineries.

Kanonkop was inspired by a special offer that caught my eye and has since inspired a love of South African wine that I am yet to shake. Made in a distinctly Bordelais style with a blend of Cabernet Sauvignon, Cabernet Franc and Merlot (giving it an edge of complexity over the single-grape Kanonkop Cabernet Sauvignon), Kanonkop is an excellent expression of what it is to be a 'proper' South African red.

Decanted for 3 hours before serving (at a later tasting I attempted 1.5, which was clearly too short), the colour was an rich, smoky red. Almost opaque, and interestingly a herald of things to come.

Nose: Kanonkop says 'I'm South African' all over the nose. It has the typical red fruit associated with a blend of this variety, but backed with the smokiness that is so classically South African. Coming in as top notes were blackberry, cherry, plum and some pepper. The more I sniffed, the more I felt the smoke was perhaps tending ever so slightly towards the phenolic aromas of a peated whisky. That is one I'll have to try to find again.

Palate: After 3 hours it was gloriously soft, smooth, fruity and rich. A decent oomph of spice kept it from being cloying and the smokiness gave it a lovely mouth-feel that was both complex and accessible. While I have listed a series of platitudes as regards red wine above, this wine should not be dismissed as basic - the layering and structure of the fruit, spice and smoke means it gives any palate a good run for its money.

Body: As mentioned above, this is an extremely smooth wine considering its full flavours. Tannins are remarkably soft, especially considering the youth of the wine.

Finish: Superb is the only word for it. Every constituent part softens and fades away in a subtle and yet somehow distinct order. It is medium-long and the structure holds perfectly throughout. Most excellent.

Conclusion: A really, really lovely wine. The sort of wine to kindle a love-affair. The quality of blending that one would expect of a Bordeaux combined with real flavour, passion and power. This is certainly one to have with a good braii on the beach (Cape Maclear, Malawi would be my ideal). It's potent and yet sufficiently subtle, complex and structured to stand up to any food without overwhelming it. But why would you bother trying to match it with food? This is magnificent on its own.

Points: 93.

I have since bought a case that will be sitting in my cellar for however long I can resist temptation. Expect to see updates as I check on the developments. It can be bought for around £25-30.

Saint Clair Pioneer Block 3

Hello all and sundry. While this is my first entry on my first blog, I am glad to say that this is not the first time I've had the privilege of trying Saint Clair's fantastic Pioneer Block 3 sauvignon blanc.

Since I started organising wine tastings (although to give them such a formal name belies the casual and amateur approach we have!), one vineyard and one wine in particular has caught everyone's attention: Saint Clair. Saint Clair Pioneer Block 3 (SC PB 3, for short) is a magnificent expression of the excitement of New World wine. It captures the new, modern approaches to wine-making alongside the sense of excitement and freshness increasingly associated with the New World, especially New Zealand.

Nose: Zing! Straight away there’s a great deal of passionfruit, citrus – lime and perhaps some mandarin?, gooseberry and redcurrant. Make no mistake, this is Kiwi SB at its most zesty. While this is most certainly not for the faint-hearted or those that love the subtle minerality of a Sancerre, my goodness does it have character, taste and accessibility in spades!

Palate: The palate follows mostly from the above. The wine tasting group was interestingly somewhat divided on their opinions. All agreed that it was a great wine for a tasting, purely because of the ‘shock’ factor it carries, but is it perhaps too bold for some? It was described as ‘magnificent’, ‘wow’ and ‘extraordinarily intense’, but others were less effusive in their praise, teasingly describing it as ‘unsubtle’ and ‘up front’.

Conclusion: While the lack of subtlety may be a deal-breaker for some, I believe it is SC PB 3’s key asset. Each glass packs some serious punch and it develops nicely in the glass, somehow growing more intense, but never cloying, oversweet or unpleasantly acidic. To me, it is a real mark of Saint Clair’s quality that they have produced such an intense wine with none of the negatives usually associated with New Zealand SB.
While I have matched this with an excellent crab linguine before, one guest suggested it was perhaps too intense. In future I will try it with a heavy creamy pasta. Images will follow at some point!

I usually rate out of 10 – this got 7.5+ and moved to 8.5 after an hour in the glass. If I had to rate out of 100, I would suggest 90+. It costs anything from £14-18.

Image courtesy of Saint Clair Wines.